Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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eisabeth Vige-Lebrun
Portrait of Count Grigory Chernyshev with a Mask in His Hand

ID: 79241

eisabeth Vige-Lebrun Portrait of Count Grigory Chernyshev with a Mask in His Hand
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eisabeth Vige-Lebrun Portrait of Count Grigory Chernyshev with a Mask in His Hand


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eisabeth Vige-Lebrun

(Marie Élisabeth Louise; 16 April 1755 - 30 March 1842) was a French painter, and is recognized as the most famous female painter of the 18th century. Her style is generally considered Rococo and shows interest in the subject of neoclassical painting. Vigee Le Brun cannot be considered a pure Neoclassist, however, in that she creates mostly portraits in Neoclassical dress rather than the History painting. In her choice of color and style while serving as the portrait painter to Marie Antoinette, Vigee   Related Paintings of eisabeth Vige-Lebrun :. | Marie Antoinette and her Children | self-portrait with Her Daughter | Reymond | Queen of France | Portrait of Caroline Murat with her daughter |
Related Artists:
Jenaro Perez Villaamil
1807-1854 was born in Ferrol, Galicia. He was a remarkable painter and prime example of the Galician Romantic Movement. In his work, particularly in his landscapes, he shows an unmistakable taste for the English painters of the same period. Most of his paintings are exhibited at Museo del Prado in Madrid, the city where he died.
VALENTIN DE BOULOGNE
French Baroque Era Painter, ca.1594-1632
Gentile da Fabriano
Fabriano ca 1370-Rome 1427 Italian painter, one of the outstanding exponents of the elegant international Gothic style. In 1409 he worked in the Doge's Palace, Venice, painting historical frescoes that subsequently perished. In 1422 he was in Florence where he created his most celebrated painting, the resplendent Strozzi altarpiece (Uffizi). Gentile painted in the spirit and the manner of the older school, with glowing color and lavish use of gilt, thereby achieving a jewellike, courtly style. By 1425 he had responded to the new Florentine realism. His refined forms yielded to a sturdier rendering of figures in the Quaratesi altarpiece (panels are now in the Uffizi; Vatican; National Gall., London; and National Gall. of Art, Washington, D.C.). From 1425 until his death he worked in Siena, Orvieto, and Rome. Gentile died in Rome before the completion of the frescoes of St. John the Baptist in the Lateran Basilica.






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